I'm a redhead so these colors go with my DNA. Wondering how many out there are drawn to this combo of monochromatics. Thanks to Peri Edmonds from Melbourne who whipped up this beautiful concoction on SMP.
This article ran in Martha Stewart Weddings Winter 2002 and almost ten years later still rings true. On the subject of plumes, here's some timeless advise quoting a portion of the the article verbatim:
--For centuries, feathers have been a favorite trimming for hats. Huge Edwardian picture hats were covered in them, while chic little 1940s toques sported single ostrich plumes. A feathered hat is a dramatic choice. It will focus all eyes on your face. To avoid getting lost beneath one, choose makeup that's glamorous and glossy (no natural lips and pale eyes). Also, it is preferable to wear your hair pulled back in a chignon or tucked behind your ears; a fancy hairdo or full tousle of curls would compete with the trimming. A feathered hat usually works best with a straight, narrow clothing silhouette such as a tailored suit or long, columnar gown. But it is not an ideal choice for an outdoor wedding, where an unexpected breeze might send your plumes fluttering over your groom. A large feathered hat should be removed for pictures (it can cast shadows or hide your face). You may also want to set it aside during your reception. Above, clockwise from left: A mini cartwheel with ostrich feathers can be worn at an angle to flatter a round face. A pagoda hat with organza petals and ostrich feathers enhances a narrow face. A dramatic white-felt picture hat with feathers is stunning when paired with a portrait collar. A small pillbox covered with marabou lends a whimsical air to a tailored suit. --
Recently, I had the pleasure of meeting Priscilla Troy of Priscilla's Parasols here in the San Francisco Bay Area. When constructed in fabric, not paper, parasols are actually made to last and make beautiful keepsakes and gifts to pass on. When Priscilla brought her entire collection in, I was amazed at the range of her designs. The collection has not only more functional products out of linen and cotton but deacquisitioned pieces from The Brooklyn Museum of Art which consisted of silk and lace gems dating back to the Civil War. Raised in the South, Priscilla moved West and pursued a career as a graphic designer and advertising art director. Today, she engages in conceptual textiles and became interested in “Shade Art” by reintroducing the parasol as both a protective devise and a fashion accessory. She feels, "One does not just carry a parasol, but wears it as a lifestyle choice. "
Contemplating a more romantic but simple look perchance? Check out the drop. Yes, the drop veil is exactly that: actually dropped onto the head in a single layer of tulle or lace, sometimes bordered with lace or ribbon. In the above image it looks like chiffon or organza. Generally, more ornamental gowns look best with simple veils, like one layer of tulle whereas all over lace veils or ones edged with wide borders require a simple gown with little adornment. Your dress might have some exquisite back details you want to show off. If this is the case select a try a layer of tulle like that shown in the images here— in a dropped style that doesn’t fall in creases and folds across your back. Tulle is the best fabric for this; it’s transparent enough without being so opaque to fog detail. The exquisite hair ornamentation in this photos is visible and even adds a little mystery with the addition of a drop veil . . .
On Friday we covered the process of making a gown from the ground up. Today we're exploring the difference between hiring a dressmaker or designer to create your vision and how to go about finding a good one. So what's the difference?
DRESSMAKERS-Once upon a time before mass production, every woman either had a dressmaker or became her own. Nowadays most dressmakers specialize. You'll want one with expertise in bridal and/or evening wear. Dressmakers either work on an hourly basis or estimate out their labor. They usually work from store bought patterns and expect you to supply the fabrics and materials such as buttons, zippers, etc. This is a good option if you already have a unique cut of silk or know how to shop around yourself for the fabrics.
CUSTOM BRIDAL DESIGNERS-More and more have sprung up in studios and ateliers over the past two decades. They're experts in helping you translate what you see in your imagination as reality. Like a dressmaker, they work one on one with you. Unlike a dressmaker, they usually have tonier establishments and higher prices. The reason? Their services are zeroed in on brides. Most offer small sample collections as well as bolts of fabric right in the studio to inspire you along with your decision. Custom designers usually work all the materials and labor into the price of the garment. Prepare to pay more here. Prices can range from $1K for something simple and unadorned, up to $10K and beyond for the works: full trains, layers of petticoats, underskirts, bustles, intricate beading, etc. Median price range for a custom wedding gown as of this writing would be around $2-5000.00.
WHERE TO FIND DRESSMAKERS AND DESIGNERS
ONLINE- Most bridal designers have their own sites and more are using Etsy to promote their lines. If your heart is set on a star designer like Vera Wang and you happen to live in her area, try to make an appointment. Realize some (read: some) top designers do custom work in their flagship store. Remember though top designers get top dollar. As for custom designers without Vera's name but heavy on talent, if you're near a metro area, your chances of connecting with the right one are good. First thing you want to do is check out the gown photos the site. Is her vision and your own on the same page? Next go to her 'Real Brides' gallery . . . (if there is one) see what others looked like on their wedding day in her creations.
SALONS-Bridal salons and specialty stores sometimes employ custom designers or dressmakers either in house or as outside contractors. Depending on how they are set up, sometimes they'll give a referral if it doesn't interfere with the flow of business. In the olden days (1970s and further back), most salons had an experienced staff to deal with custom evening, gala and bridal.
CONSULTANTS-Bridal consultants or planners are an excellent source for referrals and usually know who is truly expert in the area by years of working with them. Some consultants are willing to work on an hourly basis or for a small referral fee.
FASHION EDITORS-Fashion or wedding section editors come in two different types: Regional mags and big time bloggers. The regional mags like San Francisco Bride can be helpful if you reach them directly or run across their editorials on bridal wear. Most newspapers feature a spread on weddings twice a year. Here, private designers are sometimes featured and listed. Ask for back issues. The big time bloggers you already know: Style Me Pretty, Green Wedding Shoes and Bride's Cafe to name just a few. They feature the finest and best in the industry and sometimes (mostly random) do regional posts because some designer, big or up and coming, peaks their fancy.
MAGAZINES-In the past few years, studio and private wedding designers have put gallery style or half page ads in some of the major bridal glossies. A few run regional sections with listings and the designer's particular specialty. Years back (like in the 80s-90s before internet) I found the only mags with these listings were the UK bridal publications. Now, thanks to the work of such publications like The Knot, these listings now exist here in the states.
YELLOW PAGES-Before the internet, this used to be the first place brides looked. After word of mouth, this is still the best place to find a dressmaker (not designer) in my opinion because the designers have all gone online.
FRIENDS-Finally word of mouth and recommendations through friends find the best designers and dressmakers. Someone knows someone who knows someone and often the same name will keep popping up in discussion. Follow it.
A custom designed gown is the pinnacle of pure construction. Brides who opt to go custom believe a gown should be comfortable as well as beautifully lined so she can wear it like a second skin--the whole component moving with her as if it is part of her body. If you think about this, it makes sense. She's connecting with a man. In spirit they link. The dress is symbolic of all that, so it should be a part of her and move right along with her. In the end, a custom designed gown is definitely worth the wait.
Urchin though at this writing the site is still under construction. If you link through Xta-Bay here you can see more of her marvelous work.
Believe me, this is just the beginning of all the fabulous flower chic. To find more bouquet inspiration you can hop over to BHG's Editor's Picks .
Maybe you've narrowed down your search--decided you like the evening gown look but not absolutely, positively, 100 per cent sure an A-line is out of the question. Next you get up from the computer and go out shopping. Hitting every salon within a twenty-mile radius, you try on gowns in every shade of white imaginable. Still, nothing out there's really grabbed you. Then . . . a week or two later this concoction finally comes together in your head--the neckline you found in Weddings; the sleeve on the dress you tried on in the salon combined with the sweep train you spotted last week in the Film Noir. Once all this gets put together you'll have a custom designed gown, something one-of-a-kind like no other in the world.
I know the exact dress I want but can't find it online or in the stores. Luckily a friend recommended a designer she used. How is custom design different from buying in a salon?
REALITY 101: Making a gown from scratch requires more fittings than gowns ordered through a salon so you'll need to be open to the experience of watching your gown develop from the ground up. In addition, a custom designer or skilled seamstress puts many hours and a high level of craftsmanship into the creation of a custom gown. Working with fragile white fabric and delicate lace is an art form. Figure any custom gown crafted by a designer usually takes four to six months to complete from a listing of your measurements. Since the design process involved with a custom gown is more of a direct collaboration between you, you'll have more input with decisions regarding fabric, silhouette and style. Custom gowns are typically 80-90% handmade. This means machines do some work like the side seams, cross seams, etc. There are however stitches on these one-of-a-kind gowns only expert handwork can touch in order to produce that exquisite finish.
THE DESIGN PROCESS
Eventually a gown is in the making. After a final sketch is approved, a written estimate follows, complete with with fabric swatches and your measurements are taken. For every gown order a paper pattern is made. Think of the paper pattern as a blueprint, a record of all your dimensions on it. From this, most designers (some dressmakers too) work out a muslin. The muslin is an actual cotton mock-up and 'living pattern' of your gown's design, fitted exactly to your body. Think of your muslin as the foundation--the groundwork upon which your dress will be built. This is where most of the fine tuning will be done to that perfect fit before one cut or stitch goes into the true gown fabric(s).
After your muslin fittings (there may be two of them), the muslin is unstitched and laid out on the actual fabric and the gown is made up. Since most of the fitting has been worked out on the muslin, second and third fittings usually follow up with finishing touches to the gown like hemline, closures, remaining design details, etc. Be prepared for more than three fittings though. A gown made from the ground up is a work in progress and each step along the way is painstakingly taken, checked and rechecked. Keep in mind you want your gown delivered at least a month before your wedding. Yes, you'll need to synchronize your calendars on this one. You want to be able to relax and deal with all those other last minute details involved with your wedding, not still fussing around over hemlines.
Check in for Part II of Custom Designed on Monday . . .
Shorties like these are those very lady-like gloves everyone wore to church in the 1950s. Mostly paired with daytime attire, they could go from afternoon formals into the early evening. These days they actually look chic with all styles--sheaths, A-lines and ball gowns.
A delicate limited edition headband, the warm metallic and chiffon fabric is complimented by gunmetal and bronze coloured wire. Ivory beaded band featuring a bronze and gold cluster beneath the fabric flowers.
Covered with layers of white tulle this headband features beautiful handmade antique replica double butterflies and satin flowers adorned with faux pearls. Bonus chic: There is a little blue Swarovski crystal for luck hidden inside the flower . . . .
Silk. Cotton. Linen. Check out this charming little fabric parasol. It will absorb and protect you from direct sunlight; and what a fantastic prop to have on your wedding day. You can go with a real one-of-a-kind vintage keepsake or have your own custom designed for you and your bridesmaids
Casadei Crystal-encrusted Wedge Shoe
$891 - farfetch.com
Thank you to the following people for making all of this possible. . . . "
Make up & Hair LunaBella
Cake Berolina Bakery
Venue San Ysidro Ranch Wine Cellar
Photographer Elizabeth Luna
are, their personality, laughter and free spirit through the magic of her lens . . .